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§ data & tools · No. M 132
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§ materials · No. 132

O₁₄Pr₄W₄

rare earth oxide · rare earth ceramic

O14Pr4W4 is a rare earth oxide suitable as rare earth ceramic. Color: neutral. Fired at 1200°C from 2 precursors (WO3, Pr6O11). Workshop batch: 100g at €42.24. Compressive strength ~100 MPa; estimated 0.90 kg CO₂/kg (+309% vs clay brick). Notable: uv luminescent, electrochromic tungstate. Confidence: medium.

Rendered sample plate of O₁₄Pr₄W₄
O₁₄Pr₄W₄ · rendered sample plate, 70x70x25 mm · Generative Matter V3 · not a photograph
forms at
1200 °C · high-fire
replaces
clay brick
CO₂
309% higher than clay brick (0.90 vs 0.22 kg CO₂/kg; 4.1× higher)
energy
100% higher than clay brick (6.00 vs 3.00 MJ/kg; 2.0× higher)
compressive
100 MPa
density
8.19 g/cm³
crystal
tetragonal
band gap
2.43 eV
cost
€422.40/kg · €42.24 / 100 g batch
confidence
medium (synthesis route)
potential
0.37 · env 0.00 · novel 1.00 · struct 0.20 · lineage 0.50 · supply 0.10
flags
uv luminescent: Converts invisible ultraviolet into visible light. Signage panels, low-energy wayfinding tiles, emergency markings that draw their illumination from daylight rather than mains power. electrochromic tungstate: A voltage-switchable optical chemistry. In thin-film form a small DC signal shifts transmission from clear to tinted blue, opening the door to dimmable glazing and responsive partitions that do not need mechanical shading.

Architectural potential

A simpler rare-earth ceramic than its lithium-tellurium cousin, built on praseodymium-tungstate alone but reaching the same dual-function register: UV luminescence and voltage-switchable tinting. The density climbs to 8.19 g/cm³, the highest in this batch, which shifts the specification logic — at that density even a small tile reads as genuinely heavy, which gives the material a mineral register that the lithium-bearing version lacks. Natural placements are signage patches in civic architecture, accent cladding tiles in theatre foyers and concert-hall interiors, wayfinding pieces in hospital and metro corridors where the UV-driven glow replaces mains LEDs during low-light hours, and small façade inserts that tint on signal. Compression at 100 MPa keeps the material in the overlay register rather than the mass register; the three-hundred-per-cent CO₂ increase against clay brick means the piece is bought for behaviour, not for volume. Against the lithium-tellurium variant, the simpler chemistry reduces supply-chain risk on the tellurium side but concentrates it on the praseodymium, which remains the limiting element. The caveat is cost and rarity: €42.24 per 100 g batch, supply-chain score near zero, workshop maximum of 300 g, and untested in architectural production beyond the single tile. This is a material for one signature piece per project, not for any repeated cladding run.

Material character

The slab reads a neutral off-white with a soft green undertone from the praseodymium-tungstate matrix, warmer than a pure tungstate and cooler than the lithium-bearing variant in the same family. At 8.19 g/cm³ and 70×70×25 mm the tile refuses a casual one-hand lift — surprising density for its thin footprint, close to the hand-feel of a lead crystal or a dense tungsten alloy, and the thinnest slab in the batch by some margin. Surface is sintered matte with a fine closed grain and a slight yellow cast along the skin where praseodymium migrated during the sinter; edges cold-cut, carrying the usual diamond-saw kerf along the arris. Under 365 nm UV the face shifts to a saturated cool green, brighter and more even than the lithium-tellurium sibling.

recipe

Recipe

100 g batch · peak 1200 °C
elementprecursorformulamasssafety
Prpraseodymium oxidePr6O1142.34 gmoderate
Wtungsten trioxide (yellow)WO357.66 gmoderate
schedule
  • 1Ramp
  • 2Hold
  • 3Ramp
  • 4Ramp
  • 5Hold
  • 6Ramp
  • 7Ramp
watch for

UV-luminescent — emits visible light under 365 nm UV

Electrochromic — color switches under applied voltage (thin-film chemistry)

Recipes are synthesis protocols for trained workshop use, with the full procedure, curves, and safety notes in the Recipe Atlas. Firing schedules are best estimates: the first firing of any composition is an experiment, not a production run.