lab-eds
§ work · No. 017 · 2020
menu
§ work · No. 017

The Charles Moore Learning Center

2020 · competition

Competition entry for a public library and learning center in Austin, 2020

year
2020
type
competition
credit
Daniel Koehler, design and simulation
program
Large City Architecture
where
Austin
instrument
combinatorial assembly simulation; an assembler trained by reinforcement learning with Unity ML-Agents
no.
017
Rendering of a library at a street corner: an irregular stack of pale timber trays and shelves projecting over a glazed ground floor, trees and pedestrians in front
The Charles Moore Learning Center, the corner from the street · render · 2020

The Charles Moore Learning Center is my competition entry of 2020 for a public library and learning center in Austin. The building is configured as an artificial network that translates part relationships between program and structure into spatial sequences: the configuration shown here, the facade included, was set entirely between part and whole by a trained recursive assembler.

The layout was generated in a combinatorial assembly simulation. Its point of departure is a reading of OMA’s Jussieu Library of 1992, Rem Koolhaas’s proposal to fold the floors of a library into one continuous surface; here the continuity is not folded but aggregated. An assembler trained by reinforcement learning, with Unity ML-Agents, learned to stack ensembles of parts under two conditions: the aggregation had to remain continuous, and it must not become linear, so that the stacks form a network of paths rather than a single route. The snapshot from the generation shows the assembler at work. The resulting building layout was generated entirely this way; the renderings only clothe it.

The two renderings show what such an assembler produces when the whole is decided from its parts. A glazed ground floor opens the reading rooms to the street and to a plaza of low benches. Above it the floors are stacked as trays and shelves of pale timber that step in and out of one another, so that the facade is not a skin applied to a volume but the outer edge of the assembly itself: each projection is a room, a terrace or a shelf, and the profile of the building changes from level to level. At the corner the lowest trays reach the height of the street trees.

The entry belongs to the fully simulated building assemblies I made in Austin between 2020 and 2022, alongside the studios of those years: When Stairs are not only Stairs, Stairs and Slabs, Stairs and Structure, One Part Table and ThreeNine. In each of them assemblers position parts against parts, and program and structure are translated into one another at every step rather than drawn first and structured afterwards. Unity Technologies supported this Architecture Cloud Simulation Research with consultancy and cloud computing from 2020 to 2022.

plates

Gallery

4 plates · click to enlarge
  • Rendering of the long side of the library: stepped timber trays stacked over a glass ground floor, a plaza of low benches with two people sitting in the foreground
    The long side with the plaza in front · render · 2020
1 / 4 · The long side with the plaza in front · render · 2020
adjoining sheets

Related

4 entries
§ work

More work

34 entries
A drawing of a dense city fabric with green voids
2021–2022 · exhibition · Innsbruck
Potenziale 3
The lab's two contributions to Potenziale 3: Insights into Architectural Research at aut. architektur und tirol, Innsbruck: the models and drawings of Rasa Navasaityte's studio Living with Trees and Daniel Koehler's video installation One Minute Architecture, with the large print made for the show.
R. Navasaityte · D. Koehler
A white model of a tower of stacked slabs, columns and terraces with small dried trees, seen frontally in a gallery with arched windows
2021–2022 · research · Austin
Three-Nine
Three architecture machines arranged 382,659 building parts into variations on a nine-square grid, resembling the daily spatial use of 500 people in downtown Austin. A cloud-based consensus simulation developed with Unity Technologies; the model was built for the Mebane Gallery exhibition of 2022.
D. Koehler · R. Navasaityte
A cubic aggregate of sand-colored rooms and terraces with green courtyards, seen from above on a green ground
2021 · installation · Venice
One Minute Architecture
A video installation in which an assembly bot composes a new stack of daily amenities every minute, the rate at which the world must build to house two billion people in thirty years. Shown at CITYX Venice, 17th Venice Architecture Biennale, 2021.
D. Koehler
A field of forest squares, each one square kilometre, adding up to the forest needed to absorb Austin's yearly emissions
2021 · installation · Austin
One Year Austin
Data visualization comparing Austin's built footprint with its carbon emissions, 2021: the area paved in one year, and the forest needed to absorb one year of emissions, drawn with the city's own building footprints at one inch to one kilometre on a 19 by 2 metre print.
D. Koehler
A hand holds a translucent slab element in front of a floating assembly of glass-like slabs and frames in a studio
2020 · research · Austin
Touching Slabs: mixed-reality assemblies
Building assemblies simulated at human scale and placed into the room through a Magic Leap headset, 2020: parts that can be picked up, held, and rearranged, so that the model no longer stands in for the building.
D. Koehler
A white 3D-printed tower of courtyards on a pale plinth in a dark gallery, two framed drawings lit on the wall beside it
2017–2018 · installation · The Bartlett School of Architecture, UCL
WanderYards
A tower of courtyards, 3D-printed in white, composed from a few simple room samples under occupational restrictions. Developed in Research Cluster 8 at the Bartlett and acquired into the permanent collection of the Centre Pompidou in 2018.
D. Koehler · R. Navasaityte
Rendering of the concert centre from across the water: layered concrete slabs and thin columns standing on stilts over the river
2017 · competition · Kaunas
Kaunas Concert Centre
Competition entry for the Mikalojus Konstantinas Čiurlionis Concert Centre in Kaunas, led by Rasa Navasaityte: a concert hall assembled from a family of slab, column and stair parts, strung into a chain and lifted on stilts over the water.
R. Navasaityte
Rendering of the House of Frames in mauve: stacked, stepped frames forming a sheltered terrace on which a figure stands
2016 · research
House of Frames I
House of Frames I, 2016: a house composed of stacked and stepped frames, studied in renderings and a white 3D-printed model. A design that followed from the doctoral thesis on Hilberseimer and its reading of the city, and of the building, as a composition of parts.
D. Koehler
Three white relief panels side by side, each rendering Hilberseimer's Vertical City at a finer grain of cells
2013–2016 · research · University of Innsbruck, Institute of Urban Design
The Vertical City
The doctoral research on Ludwig Hilberseimer carried out as design work, 2013 to 2016: three relief models of the Vertical City at three grains, the Chicago drawings on the subtraction of streets, and the Innsbruck exercise of spring 2016 in which students configured a city as one slab.
D. Koehler

All work entries →